Benson Bond Moore Prints: Auction Prices

American/Virginia · 1882–1974

ArtSell has recorded 40 auction results for Benson Bond Moore prints between 2007 and 2026, of which 10 sold (25% sell-through). Prices realised range from $30 to $24,000, with a median of $300 across 10 priced sales (USD at the sale-date rate). The highest recorded price is $24,000 for “A Branch Of The Anacostia River With Snow-Covered Banks In An Industrial Area In D.C.” at Sloans & Kenyon in 2013.

Record: A Branch Of The Anacostia River With Snow-Covered Banks In An Industrial Area In D.C. — $24,000Sign up free to see

40auction results2007–2026years recorded25%sold$300Sign up free to seemedian price$24kSign up free to seehighest

Price chart & statistics for Benson Bond Moore →

All prints results

Sign up free to see all prices. You’ve seen the free realized prices for this month. Artist, title, date, house, medium, size and estimates stay visible to everyone. Create a free account · Sign in
  1. Etchings and Ephemera
    Etching
    plate 6-3/4 x 8-3/4 in.
    Brunk Auctions · · Lot 141
    $150≈ £112≈ €129HammerSign up free to seeEst. $200–400View at Brunk Auctions ↗
  2. Washington's Headquarters, Bladensburg Md.
    Etching
    sight 6 x 7-1/4 in.
    Brunk Auctions · · Lot 139
    $50≈ £36≈ €42HammerSign up free to seeEst. $100–150View at Brunk Auctions ↗
  3. Benson Bond Moore, Harbor Scene, Etching
    Harbor Scene
    Etching
    6 in. x 8 in
    Sloans & Kenyon · · Lot 452
    Unsold / did not meet reserveEst. $500–700View at Sloans & Kenyon ↗
  4. Benson Bond Moore, Harbor Scene, Etching
    Harbor Scene
    Etching
    8 in. x 6 in
    Sloans & Kenyon · · Lot 451
    Unsold / did not meet reserveEst. $300–500View at Sloans & Kenyon ↗
  5. Benson Bond Moore, Wharf, Etching
    Wharf
    Etching
    6 3/4 in. x 4 3/4 in
    Sloans & Kenyon · · Lot 450
    Unsold / did not meet reserveEst. $300–500View at Sloans & Kenyon ↗
  6. Benson Bond Moore, Egrets at Home, Etching
    Egrets at Home
    Etching
    12 in. x 9 in
    Sloans & Kenyon · · Lot 462
    Unsold / did not meet reserveEst. $200–300View at Sloans & Kenyon ↗
  7. Benson Bond Moore, House in Maryland Suburbs, Etching
    House in Maryland Suburbs
    Etching · ed. 41/100
    6 in. x 7 in
    Sloans & Kenyon · · Lot 625
    $150≈ £92≈ €117HammerSign up free to seeEst. $300–500View at Sloans & Kenyon ↗
  8. Benson Bond Moore, Wharf, Etching
    Wharf
    Etching · ed. 17/100
    6 in. x 6 3/4 in
    Sloans & Kenyon · · Lot 624A
    $150≈ £92≈ €117HammerSign up free to seeEst. $200–300View at Sloans & Kenyon ↗
  9. Benson Bond Moore, A Branch Of The Anacostia River With Snow-Covered Banks In An Industrial Area In D.C., c. 1920, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    A Branch Of The Anacostia River With Snow-Covered Banks In An Industrial Area In D.C., c. 1920
    Print (other)
    22 in. x 24 in
    Sloans & Kenyon · · Lot 1428
    $24,000≈ £15,497≈ €18,011HammerSign up free to seeEst. $15,000–25,000View at Sloans & Kenyon ↗
  10. Benson Bond Moore, The Rapids, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    The Rapids
    Print (other)
    18 1/2 in. x 20 in
    Sloans & Kenyon · · Lot 1427
    Unsold / did not meet reserveEst. $30,000–50,000View at Sloans & Kenyon ↗
  11. Benson Bond Moore, Early Autumn Hillside, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Early Autumn Hillside
    Print (other)
    9 in. x 9 5/8 in
    Sloans & Kenyon · · Lot 1425
    Unsold / did not meet reserveEst. $1,800–3,800View at Sloans & Kenyon ↗
  12. Benson Bond Moore, Evening on the Upper Potomac, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Evening on the Upper Potomac
    Print (other)
    8 in. x 10 in
    Sloans & Kenyon · · Lot 1424
    Unsold / did not meet reserveEst. $1,800–3,800View at Sloans & Kenyon ↗
  13. Benson Bond Moore, Old Willow in Winter (Anacostia), DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Old Willow in Winter (Anacostia)
    Print (other)
    11 in. x 14 in
    Sloans & Kenyon · · Lot 1423
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  14. Benson Bond Moore, Autumn, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Autumn
    Print (other)
    16 in. x 20 in
    Sloans & Kenyon · · Lot 1422
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  15. Benson Bond Moore, Overlooking the Anacostia from the National Arboretum, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Overlooking the Anacostia from the National Arboretum
    Print (other)
    11 in. x 14 in
    Sloans & Kenyon · · Lot 1421
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  16. Benson Bond Moore, In the Catharpin Woods, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    In the Catharpin Woods
    Print (other)
    20 in. x 16 in
    Sloans & Kenyon · · Lot 1420
    Unsold / did not meet reserveEst. $10,000–15,000View at Sloans & Kenyon ↗
  17. Benson Bond Moore, November Landscape, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    November Landscape
    Print (other)
    16 in. x 20 in
    Sloans & Kenyon · · Lot 1419
    Unsold / did not meet reserveEst. $10,000–15,000View at Sloans & Kenyon ↗
  18. Benson Bond Moore, Edge of the Woods, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Edge of the Woods
    Print (other)
    20 in. x 16 in
    Sloans & Kenyon · · Lot 1418
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  19. Benson Bond Moore, March Hillside, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    March Hillside
    Print (other)
    18 in. x 14 in
    Sloans & Kenyon · · Lot 1417
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  20. Benson Bond Moore, A Rocky Ravine, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    A Rocky Ravine
    Print (other)
    18 in. x 14 in
    Sloans & Kenyon · · Lot 1416
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  21. Benson Bond Moore, Autumn Hillside, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Autumn Hillside
    Print (other)
    18 in. x 14 in
    Sloans & Kenyon · · Lot 1415
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  22. Benson Bond Moore, The Wane of Winter, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    The Wane of Winter
    Print (other)
    9 in. x 9 1/4 in
    Sloans & Kenyon · · Lot 1414
    Unsold / did not meet reserveEst. $1,800–3,800View at Sloans & Kenyon ↗
  23. Benson Bond Moore, Morning on Tampa Bay, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Morning on Tampa Bay
    Print (other)
    Sloans & Kenyon · · Lot 1413
    $3,000≈ £1,937≈ €2,251HammerSign up free to seeEst. $3,000–5,000View at Sloans & Kenyon ↗
  24. Benson Bond Moore, In the Blue Ridge Mountains of Virginia, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    In the Blue Ridge Mountains of Virginia
    Print (other)
    11 in. x 14 in
    Sloans & Kenyon · · Lot 1412
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  25. Benson Bond Moore, Trees and Rocks, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Trees and Rocks
    Print (other)
    12 in. x 16 in
    Sloans & Kenyon · · Lot 1411
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  26. Benson Bond Moore, Old Beech Tree, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Old Beech Tree
    Print (other)
    14 in. x 11 in
    Sloans & Kenyon · · Lot 1410
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  27. Benson Bond Moore, A Pennsylvania Lane, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    A Pennsylvania Lane
    Print (other)
    10 in. x 14 in
    Sloans & Kenyon · · Lot 1409
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  28. Benson Bond Moore, Woodland Road, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Woodland Road
    Print (other)
    3 3/4 in. x 14 in
    Sloans & Kenyon · · Lot 1408
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  29. Benson Bond Moore, Near Sumtner, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Near Sumtner
    Print (other)
    10 in. x 14 in
    Sloans & Kenyon · · Lot 1406
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  30. Benson Bond Moore, Rocky Hillside, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Rocky Hillside
    Print (other)
    18 in. x 14 in
    Sloans & Kenyon · · Lot 1405
    $1,800≈ £1,162≈ €1,351HammerSign up free to seeEst. $2,000–3,000View at Sloans & Kenyon ↗
  31. Benson Bond Moore, Edge of the Wood, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Edge of the Wood
    Print (other)
    10 in. x 8 in
    Sloans & Kenyon · · Lot 1404
    Unsold / did not meet reserveEst. $1,800–3,800View at Sloans & Kenyon ↗
  32. Benson Bond Moore, Virginia Hills, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Virginia Hills
    Print (other)
    9 7/8 in. x 7 in
    Sloans & Kenyon · · Lot 1403
    $800≈ £517≈ €600HammerSign up free to seeEst. $1,800–3,800View at Sloans & Kenyon ↗
  33. Benson Bond Moore, Western Horned Owl, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Western Horned Owl
    Print (other)
    Sloans & Kenyon · · Lot 1402
    Unsold / did not meet reserveEst. $3,000–5,000View at Sloans & Kenyon ↗
  34. Benson Bond Moore, Lady Amherst Pheasant, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Lady Amherst Pheasant
    Print (other)
    16 in. x 12 in
    Sloans & Kenyon · · Lot 1401
    Unsold / did not meet reserveEst. $4,000–6,000View at Sloans & Kenyon ↗
  35. Benson Bond Moore, Tree Sparrow, DC 1875-1941) were the 2 DC artists and 2 of only 12 Southern Impressionists selected by Professor William Gerdts, for inclusion in his very popular, scholarly, well-written, trailblazing book American Impressionism, published in 1984, which is still in print and selling well, and Moore's classical American Impressionist style, up through c. 1925 and his post c. 1925 evolution into a truly unique form of Impressionism, not practiced by any other American artist, in which almost all
    Tree Sparrow
    Print (other)
    Sloans & Kenyon · · Lot 1400
    Unsold / did not meet reserveEst. $1,000–2,000View at Sloans & Kenyon ↗
  36. Benson Bond Moore, Winter on the Upper Potomac, Color etching
    Winter on the Upper Potomac
    Etching
    6 3/4 in. x 6 in
    Sloans & Kenyon · · Lot 1481
    $450≈ £285≈ €336HammerSign up free to seeEst. $600–800View at Sloans & Kenyon ↗
  37. Benson Bond Moore, House in Maryland Suburbs, Etching
    House in Maryland Suburbs
    Etching · ed. 12/100
    6 in. x 7 in
    Sloans & Kenyon · · Lot 536
    Unsold / did not meet reserveEst. $300–500View at Sloans & Kenyon ↗
  38. Benson Bond Moore, House in Maryland Suburbs, Etching
    House in Maryland Suburbs
    Etching · ed. 12/100
    6 in. x 7 in
    Sloans & Kenyon · · Lot 528
    Unsold / did not meet reserveEst. $400–600View at Sloans & Kenyon ↗
  39. Benson Bond Moore, Bohemian Waxwing, Hand-colored etching
    Bohemian Waxwing
    Etching
    Sloans & Kenyon · · Lot 905
    Unsold / did not meet reserveEst. $300–400View at Sloans & Kenyon ↗
  40. Benson Bond Moore, Old Presbyterian Meeting House, MAN SITTING, print
    Old Presbyterian Meeting House
    Print (other)
    9 1/2 in. x 12 1/4 in
    Sloans & Kenyon · · Lot 811
    $30≈ £15≈ €23HammerSign up free to seeEst. $200–300View at Sloans & Kenyon ↗

Other media by Benson Bond Moore

PaintingsWorks on PaperOil PaintingsWatercolorsEtchings

All Benson Bond Moore auction results → · Own a print by Benson Bond Moore? Get a free auction estimate →