James Rosenquist

James Rosenquist

American · 1933–2017 · Painter, Printmaker

James Albert Rosenquist was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces… (Wikipedia)

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606lots offered2000–2026years recorded95%sold (553)$1.5kSign up free to seemedian price

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Record prices

  1. James Rosenquist, Sister Shrieks, 1987, Oil on canvasSister ShrieksKornfeld · CHF 720,000≈ $808,128≈ £629,530≈ €736,940Sign up to see
  2. James Rosenquist, Highway Temple, 1979, oil and painted wood on canvas on panelHighway TemplePhillips · $740,000≈ £576,279≈ €672,911Sign up to see
  3. James Rosenquist, Dog Descending a Staircase, 1979, oil on canvasDog Descending a StaircasePhillips · $736,600≈ £590,935≈ €677,770Sign up to see

James Rosenquist’s highest prices recorded at auction, ranked in US dollars at each sale-date exchange rate and shown in the currency of the sale (with the buyer’s premium where the house publishes it).

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  1. James Rosenquist, Tampa—New York 1188 (G. 81), 1974-75, Monumental lithograph in colors, on Arches Cover paper, the full sheet
    Tampa—New York 1188 (G. 81), 1974-75
    Lithograph · Paper · ed. 16/40
    S. 36 1/4 x 74 1/8 in. (92.1 x 188.3 cm)
    Phillips · · Lot 225
    $9,525≈ £7,593≈ €8,866Price realizedSign up free to seeEst. $2,000–3,000View at Phillips ↗
  2. James Rosenquist, Head Stand (G. 777, G. 104), 1977, Lithograph in colors, on Okawara paper, the full sheet
    Head Stand (G. 777, G. 104), 1977
    Lithograph · Paper · ed. HC
    S. 21 1/4 x 44 in. (54 x 111.8 cm)
    Phillips · · Lot 226
    $2,286≈ £1,822≈ €2,128Price realizedSign up free to seeEst. $800–1,200View at Phillips ↗
  3. James Rosenquist, Terrarium (G. 154), 1978, Lithograph in colors, on Arches Cover paper, with full margins
    Terrarium (G. 154), 1978
    Lithograph · Paper · ed. 2/16
    I. 21 3/4 x 39 3/8 in. (55.2 x 100 cm) S. 29 1/4 x 44 5/8 in. (74.3 x 113.3 cm)
    Phillips · · Lot 227
    $2,286≈ £1,822≈ €2,128Price realizedSign up free to seeEst. $1,000–1,500View at Phillips ↗
  4. James Rosenquist, Industrial Cottage (G. 159), 1978-80, Lithograph in colors, on Arches Cover paper, with full margins
    Industrial Cottage (G. 159), 1978-80
    Lithograph · Paper · ed. 41/100
    I. 20 1/4 x 43 3/4 in. (51.4 x 111.1 cm) S. 26 7/8 x 47 7/8 in. (68.3 x 121.6 cm)
    Phillips · · Lot 228
    $2,286≈ £1,822≈ €2,128Price realizedSign up free to seeEst. $1,000–1,500View at Phillips ↗
  5. James Rosenquist, Sheer Line (S. 1979.41, G. 163), 1979, Lithograph in colors, on Arches Cover paper, with full margins
    Sheer Line (S. 1979.41, G. 163), 1979
    Lithograph · Paper · ed. 74/100
    I. 22 1/4 x 38 5/8 in. (56.5 x 98.1 cm) S. 29 1/4 x 44 7/8 in. (74.3 x 114 cm)
    Phillips · · Lot 229
    $4,826≈ £3,847≈ €4,492Price realizedSign up free to seeEst. $800–1,200View at Phillips ↗
  6. James Rosenquist, Idea I; and Idea II (G. 165 & 166), 1979, Two lithographs in colors, on HMP handmade paper, the full sheets
    Idea I; and Idea II (G. 165 & 166), 1979
    Lithograph · Paper · ed. 61/76
    Idea I S. 6 x 4 1/2 in. (15.2 x 11.4 cm) Idea II S. 5 3/4 x 4 1/2 in. (14.6 x 11.4 cm)
    Phillips · · Lot 230
    $1,397≈ £1,114≈ €1,300Price realizedSign up free to seeEst. $600–900View at Phillips ↗
  7. James Rosenquist, Doorskin (G. 168), 1979, Etching, aquatint and embossing with pochoir in colors, on Pescia Italia paper, with full margins
    Doorskin (G. 168), 1979
    Etching · Paper · ed. 8/78
    I. 23 1/2 x 31 3/4 in. (59.7 x 80.6 cm) S. 28 1/8 x 35 7/8 in. (71.4 x 91.1 cm)
    Phillips · · Lot 231
    $1,651≈ £1,316≈ €1,537Price realizedSign up free to seeEst. $1,000–2,000View at Phillips ↗
  8. James Rosenquist, Chambers (S. 19, G. 173), 1980, Lithograph in colors, on Twinrocker handmade paper watermarked 'James Rosenquist', the full sheet
    Chambers (S. 19, G. 173), 1980
    Lithograph · Paper · ed. 7/11
    S. 29 3/4 x 47 1/4 in. (75.6 x 120 cm)
    Phillips · · Lot 232
    $1,270≈ £1,012≈ €1,182Price realizedSign up free to seeEst. $800–1,200View at Phillips ↗
  9. James Rosenquist, Dog Descending a Staircase (S. 20, G. 174), 1980-82, Monumental lithograph and intaglio in colors, on Arches paper, with full margins
    Dog Descending a Staircase (S. 20, G. 174), 1980-82
    Lithograph · Paper · ed. AP
    I. 40 x 63 1/4 in. (101.6 x 160.7 cm) S. 42 x 70 in. (106.7 x 177.8 cm)
    Phillips · · Lot 233
    $16,510≈ £13,161≈ €15,368Price realizedSign up free to seeEst. $6,000–9,000View at Phillips ↗
  10. James Rosenquist, High Technology and Mysticism: A Meeting Point (G. 180-186), 1981, The complete set of seven lithographs in colors, on Arches 88 paper, with full margins
    High Technology and Mysticism: A Meeting Point (G. 180-186), 1981
    Lithograph · Paper · ed. 40/150
    all I. 28 x 28 in. (71.1 x 71.1 cm) all S. 34 x 33 in. (86.4 x 83.8 cm)
    Phillips · · Lot 234
    $4,826≈ £3,847≈ €4,492Price realizedSign up free to seeEst. $4,000–6,000View at Phillips ↗
Also offered, result not published (21)

Lots by James Rosenquist that were offered at auction where the house did not publish whether they sold. Not counted in any statistics.

James Rosenquist paintings (25)James Rosenquist oil paintings (21)James Rosenquist mixed media (3)James Rosenquist works on paper (9)James Rosenquist drawings (3)James Rosenquist prints (531)James Rosenquist etchings (117)James Rosenquist aquatints (14)James Rosenquist lithographs (297)James Rosenquist screenprints (48)James Rosenquist photographs (4)

About James Rosenquist

James Albert Rosenquist was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art to depict popular cultural icons and mundane everyday objects. While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads. He was a 2001 inductee into the Florida Artists Hall of Fame.

From Wikipedia, licensed under CC BY-SA 4.0.

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