Margaret Bourke-White
American · 1904–1971 · Photographer
Margaret Bourke-White was an American documentary photographer and photojournalist. She was known as an architectural and commercial photographer for the first half of her… (Wikipedia)
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Record prices
Flood Refugees, Louisville, KentuckyPhillips · $400,000≈ £304,553≈ €356,538Sign up to see
Gargoyle, Chrysler Building, New York CityPhillips · $152,400≈ £123,983≈ €143,719Sign up to see
Gargoyle, Chrysler Building, New York CityPhillips · $127,000≈ £101,747≈ €116,503Sign up to see
Margaret Bourke-White’s highest prices recorded at auction, ranked in US dollars at each sale-date exchange rate and shown in the currency of the sale (with the buyer’s premium where the house publishes it).
91 results · page 3 of 3
- Unsold / did not meet reserveEst. $1,000–2,000
- Unsold / did not meet reserveEst. $1,000–1,500
- Unsold / did not meet reserveEst. $3,000–5,000
- Marshall, Arkansas, 1936Unsold / did not meet reserveEst. $3,000–5,000
- Ocelot, Georgia, 1936Unsold / did not meet reserveEst. $3,000–5,000
- American Optical Company, 1936-1938Unsold / did not meet reserveEst. $2,500–3,000
- Unsold / did not meet reserveEst. $3,000–5,000
- Unsold / did not meet reserveEst. $3,000–5,000
- Unsold / did not meet reserveEst. $3,000–5,000
- American Optical Company, 1936-1938Unsold / did not meet reserveEst. $4,000–5,000
Also offered, result not published (8)
Lots by Margaret Bourke-White that were offered at auction where the house did not publish whether they sold. Not counted in any statistics.
About Margaret Bourke-White
Margaret Bourke-White was an American documentary photographer and photojournalist. She was known as an architectural and commercial photographer for the first half of her career, representing corporate clients and highlighting the success of industrial capitalism with black and white images of steel factories and skyscrapers. In 1930, she became the first foreign photographer granted official access to document industrial sites in the Soviet Union during the first five-year plan. In 1933, she was commissioned to create the NBC photomural, a monumental photomural about radio for its rotunda at 30 Rockefeller Plaza, then considered the largest photomural in the world. The success of her corporate commissions led her to work at Fortune magazine in the 1930s. She took the photograph of the construction of Fort Peck Dam that became the cover of the first issue of Life magazine.
From Wikipedia, licensed under CC BY-SA 4.0.