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Maasland, A bronze Corpus Christi, presumably Maasland, first half 13th century, Engraved cast bronze with minimal remains of former gilding. A depiction of Christ with His head upright, His arms spread horizontally to the sides, His legs parallel and His feet resting on a subpedaneum. The figure's nudity is concealed by a perizonium knotted in the centre. Abrasions. Mounted on a velvet covered panel

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A bronze Corpus Christi, presumably Maasland, first half 13th century

€9,375 price realized incl. premium

≈ $11,360≈ £8,033 Show prices also in

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Medium: Sculpture · Sculpture all sculpture results →
As published: “Engraved cast bronze with minimal remains of former gilding. A depiction of Christ with His head upright, His arms spread horizontally to the sides, His legs parallel and His feet resting on a subpedaneum. The figure's nudity is concealed by a perizonium knotted in the centre. Abrasions. Mounted on a velvet covered panel”
Support: Panel
Category: Sculpture
Dimensions: Height 17 cm
Auction house: Lempertz
Sale: Auction 1175 Sculpture (1175-2)
Date: June 5, 2021
Location: 05.06.2021 11:00, Cologne
Lot: 2222
Estimate: €6,000 – €7,000 (≈ $7,270 – $8,482) (≈ £5,141 – £5,998)
Source: Auction house lempertz.com ↗
Retrieved Sep 25, 2026

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More results for Maasland

Maasland, A 12th century bronze Corpus Christi, presumably Maas Region, Cast and engraved bronze with old patina. Depicting Christ crucified with four nails with His arms stretched out horizontally, His head turned to one side and in a slightly swaying pose. Minimal wear. Mounted on a velvet covered plaque

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A 12th century bronze Corpus Christi, presumably Maas Region

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Maasland, A bronze eagle, presumably Meuse region, 14th-15th century, Cast and engraved bronze, the front of the eagle with presumably later gilding. Small model of an eagle with outstretched wings, designed in a similar manner to a lectern. With drilled holes on the back, presumably for a small book stand. The eagle's right talon lost, a small breakage to the underside. Presumably later attached to a tapering bronze plinth

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A bronze eagle, presumably Meuse region, 14th-15th century

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Maasland, A carved wood figure of the Virgin Enthroned, presumably Maasland, 1st half 14th century, Carved three quarters in the round, the reverse flattened. With extensive remains of former polychromy. A figure of the Virgin enthroned designed for a frontal and slightly lowered viewpoint. She holds the Christ Child, who is dressed in a long drapery, standing on Her lap in a striding pose with Her left hand. The work's sculptural quality is dominated by the rendering of the Virgin's cloak, the carefully carved vertical pleats and deep horizontal folds of which form an interesting contrast to the curving drapery of cloth wrapped around Christ. The Child's right arm and head replaced and loosely attached (see comparison photograph). The Virgin's right hand lost, the toes recarved. With vertical hairline cracks, insect damage and wear throughout. Mounted on a newer wooden plinth

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A carved wood figure of the Virgin Enthroned, presumably Maasland, 1st half 14th century

Photograph

Lempertz · Nov 19, 2022€6,300 ≈ $6,531 ≈ £5,485Sign up free to see price

Maasland, A carved wood figure of the Virgin Enthroned, presumably Maasland, 1st half 14th century, Carved three quarters in the round, the reverse flattened. With extensive remains of former polychromy. A figure of the Virgin enthroned designed for a frontal and slightly lowered viewpoint. She holds the Christ Child, who is dressed in a long drapery, standing on Her lap in a striding pose with Her left hand. The work's sculptural quality is dominated by the rendering of the Virgin's cloak, the carefully carved vertical pleats and deep horizontal folds of which form an interesting contrast to the curving drapery of cloth wrapped around Christ. The Child's right arm and head replaced and loosely attached (see comparison photograph). The Virgin's right hand lost, the toes recarved. With vertical hairline cracks, insect damage and wear throughout. Mounted on a newer wooden plinth

© Lempertz — view on Lempertz website ↗

A carved wood figure of the Virgin Enthroned, presumably Maasland, 1st half 14th century

Photograph

Lempertz · Nov 20, 2021Unsold / did not meet reserve

Maasland, A bronze Corpus Christi, presumably Maasland, first half 13th century, The reverse hollowed out, engraved bronze with older patina. Depiction of Christ crucified with three nails and His arms stretched out horizontally. Despite the fragmentary condition of the piece, its fine quality is still evident to this day, especially in the detailed rendering of the perizonium and the engraving. Head, hands, and feet missing. Abrasions throughout

© Lempertz — view on Lempertz website ↗

A bronze Corpus Christi, presumably Maasland, first half 13th century

Engraving

Lempertz · Jun 5, 2021€1,250 ≈ $1,515 ≈ £1,071Sign up free to see price

Maasland, A 14th century processional cross, presumably Maasland, Cast bronze on a wooden base with engraved brass mountings and remains of original gilding. The Corpus Christi is here placed separately against the square shaped centre of the cross and the four symbols of the evangelists against the quatrefoil terminals. The front of the cross is engraved with the Lamb of God in the centre and stylised tendrils on the beams. The engravings of the reverse repeat the symbols of the evangelists and tendrils whilst the centre shows the Veil of Veronica with the Vera Icon. The horizontal beam behind the Corpus reattached with solder. With dents and abrasions. Mounted on a wooden plint

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A 14th century processional cross, presumably Maasland

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Auction 1175 Sculpture · Lempertz · Jun 5, 2021

German 2nd half 12th century, A German bronze processional cross, probably second half 12th century, Engraved gilded bronze. The cross beams, the lowest of which has a pricket on its underside, are each decorated with borders of identical stylised rosettes. The crowned Corpus Christi is shown crucified with four nails, His feet resting on a subpedaneum. The perizonium is carefully rendered and of noticeably angular design. The work is almost certainly German in origin and it has been suggested that it may have been made in Saxony. A small breakage to the neck of Christ. Minimal wear, two of the finials at the angles lost

© Lempertz — view on Lempertz website ↗

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studio of Antonio Rossellino, A plaster relief of the Virgin and Child from the workshop of Antonio Rossellino, Plaster with minimal remains of former polychromy. This high relief depicts the Virgin and Child enthroned within a garland of flowers and an architectural surround. The piece can be dated to around 1470/ 1490 and is based on a model by Antonio Rossellino (aka. Antonio Gambarelli) that was produced numerous times in his workshop in both plaster and terracotta, also after his death. This type of relief depiction of the Madonna surrounded by a garland – not found in many of Rossellino's other works – is named after an example housed in the Hermitage in St. Petersburg. A peculiarity of this particular relief within the type is the frieze of putti with the coat-of-arms on the lower edge. Minimal wear. Mounted in a parcel-giltwood frame in the style of the period, presumably 19th century. Relief

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A plaster relief of the Virgin and Child from the workshop of Antonio Rossellino

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Lempertz · Jun 5, 2021€17,500 ≈ $21,205 ≈ £14,995Sign up free to see price

Southern Italy 14th century, Two 14th century South Italian limestone models of lions with columns, Carved in the round, slightly polished in some areas, the columns of flecked marble. This imposing pair of recumbent lions each bears a fragmentary marble column on its back. Depicted with heads raised and looking diagonally upwards, they are thought to have originally formed part of a larger architectural setting. They may have been placed at the entrance of a church, which would give the lions an apotropaic function. Wear with losses. Some slight weather damage to the limestone. 73 x 57 x 33 and

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Two 14th century South Italian limestone models of lions with columns

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attributed to Adam Lenckhardt, A carved ivory Venus and Cupid group attributed to Adam Lenckhardt, Carved in the round and partially freestanding. A figure of Venus shown standing and dressed only in a perizonium, placing her extended right foot upon a boulder. At her feet, the little Cupid is depicted handing her an apple. This small and finely carved sculpture is traditionally attributed to Adam Lenckhardt, one of the most important representatives of Baroque ivory carving. Following an apprenticeship under his father Nikolaus Lenckhardt, Adam Lenckhardt travelled throughout Italy before settling in Vienna in 1638, where he advanced to become the chamber sculptor of Prince Karl Eusebius of Liechtenstein from 1642 to 1660. The wing, formerly attached with a dowel, lost as well as the bow that Cupid would have originally held in his left hand. Some discolouration. Mounted on a modern wooden plinth

© Lempertz — view on Lempertz website ↗

A carved ivory Venus and Cupid group attributed to Adam Lenckhardt

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Italy Late 15th century, A late 15th century Italian pax with the Virgin enthroned, Silver, silver niello and gilt bronze. This pax has a handle on the reverse and a richly ornamented architectural surround made up of Renaissance motifs terminating in a fish-headed scroll design in the upper section. The exceedingly finely wrought niello, which is accompanied by the inscription “MARIA GRATIA PLENA“ depicts the Virgin enthroned surrounded by adoring angels making music and four kneeling saints. This panel is thought to originate from Florence. Minimal wear with very minor losses to the niello

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Southern Netherlands 2nd quarter 15th century, A Southern Netherlandish carved walnut figure of a saint, second quarter 15th century, Carved in the round, the reverse only partially worked and slightly smoothed down. Minimal remains of former polychromy. A figure of a saint, most likely an apostle, designed for a frontal viewpoint. The missing attribute originally held in his right hand would presumably have served to identify the figure. The sculpture is characterised by the fine carving of the facial features, beard and hair as well as the masterfully rendered interplay of drapery in the cloak and robe. The right hand lost, the fingers of the left hand presumably partially replaced. Drilled holes on the reverse

© Lempertz — view on Lempertz website ↗

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