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Pietro Bazzanti, The Cobbler's Boy in Love, Marble, carved in the round. A marble figure of a young man in cobbler's garb holding a book strewn with flowers on his lap and gazing absent-mindedly into the distance, his tools laying abandoned at his side. Signed to the reverse of the bench "P: Bazzanti e F: / Firenze". Several hairline cracks to the surface

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Auction result

The Cobbler's Boy in Love

Pietro Bazzanti (Italian, 1842–1881)

€6,200 price realized incl. premium

≈ $7,023≈ £4,471 Show prices also in

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Medium: Sculpture · Sculpture all sculpture results →
As published: “Marble, carved in the round. A marble figure of a young man in cobbler's garb holding a book strewn with flowers on his lap and gazing absent-mindedly into the distance, his tools laying abandoned at his side. Signed to the reverse of the bench "P: Bazzanti e F: / Firenze". Several hairline cracks to the surface”
Signed / inscribed: Signed to the reverse of the bench "P: Bazzanti e F: / Firenze"
Category: Sculpture
Dimensions: 65 x 35 x 40 cm
Auction house: Lempertz
Sale: Auction 1049 Sculptures and Works of Art (1049-2)
Date: May 16, 2015
Lot: 1548
Estimate: €5,000 – €6,000 (≈ $5,664 – $6,797) (≈ £3,606 – £4,327)
Source: Auction house lempertz.com ↗
Retrieved Sep 27, 2026

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Works by Pietro Bazzanti with a longest side of about 65 cm (25.6 in) (±20 %).

Pietro Bazzanti, BUST OF A YOUNG WOMAN, 19TH CENTURY, white marble and alabaster

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Pietro Bazzanti, Young Fisherman, circa 19th c. Carved, marble

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Pietro Bazzanti, BUST OF A YOUNG WOMAN, 19TH CENTURY, white marble and alabaster

© Lyon & Turnbull — view on Lyon & Turnbull website ↗

BUST OF A YOUNG WOMAN, 19TH CENTURY

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Lyon & Turnbull · Mar 19, 2025£4,284 ≈ $5,552 ≈ €5,095Sign up free to see price

Pietro Bazzanti, P. Barzanti, Firenze, Marble Bust

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Also in this sale

Auction 1049 Sculptures and Works of Art · Lempertz · May 16, 2015

Northern France ca. 1360 & 1380, A Northern French carved limestone figure of the Virgin enthroned, circa 1360/1380., Carved in the round. Minor remains of older polychromy. A figure of the crowned Virgin seated on a moulded throne, holding the Christ Child with the dove of the Holy Spirit on Her left knee and a lily in Her right hand. The sculpture has been designed for a frontal and slightly lowered viewpoint but is carved in the round and therefore viewable from any angle. The Virgin's finely worked features are framed by wavy locks of hair and a veil which falls in symmetrical but flowing folds over her shoulders and back. This same stylised but lively quality is displayed in the finely carved drapery of the Virgin's girded dress, Her cloak and the cloth worn by the Child. Wear with minimal losses

© Lempertz — view on Lempertz website ↗

A Northern French carved limestone figure of the Virgin enthroned, circa 1360/1380.

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Lempertz · May 16, 2015€94,240 ≈ $106,755 ≈ £67,958Sign up free to see price

Cologne ca. 1330, A wooden figure of a standing Saint, Cologne circa 1330., Hardwood (possibly oak), carved in the round. With the original polychromy, the flesh tones overpainted. A finely carved figure of a crowned female saint standing in contrapposto with the right foot extended. The graceful curve of her body is accentuated by the posture of the head and arms and the drapery of her clothing. The overall design of the work and especially the facial features show direct stylistic parallels to the Cologne Madonnas and other Rhenish sculpture of the early 14th century. The work is inscribed "60-2-1" to the lower edge of the reverse. The right hand, formerly attached via a dowel, now lost. The left hand was a later addition and was removed after 1998. The tips of the feet replaced. Minor wear

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A wooden figure of a standing Saint, Cologne circa 1330.

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Lempertz · May 16, 2015Unsold / did not meet reserve

Probably Flemish 15th century, A 15th century presumably Flemish marble Annunciation group., The two figures carved three-quarters in the round, the reverse flattened. Minor remains of former polychromy. The Virgin is shown seated and facing right, holding an open prayer book in Her hands. The correspondingly carved angel Gabriel kneels before Her and holds a baderole above his knees. The angel's wings lost, its left arm reattached. Wear with minor losses. The figures mounted facing each other on a marble plinth. The sculptures each

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A 15th century presumably Flemish marble Annunciation group.

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Lempertz · May 16, 2015Unsold / did not meet reserve

Flemish early 16th century, An early 16th century Flemish high-relief ecce homo scene., Dark brown patinated wood.. A broad frame with a semicircular upper section containing a densely populated scene of Christ being presented to the people, probably based on a contemporary print. The left hand of the lower central figure lost. Minor abrasion and wear

© Lempertz — view on Lempertz website ↗

An early 16th century Flemish high-relief ecce homo scene.

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Lempertz · May 16, 2015Unsold / did not meet reserve

Südtirol ca. 1510, A South Tyrolean carved Swiss pine wood high-relief group of Anna Selbdritt, circa 1510., With older, possibly original, polychromy. St. Anne is shown seated on a broad, block-like bench facing the beholder. She wears a white veil and a simple, floor-length gown. The dark red cloak worn over her left shoulder lies draped across her body and drawn over her knees where it falls in a rich interplay of thick vertical and compressed folds. The Virgin stands next to Her mother, and St. Anne embraces Her with her left arm whilst Mary in turn reaches out towards the Christ Child who is shown seated on His Grandmother’s lap. The drapery of the Virgin’s gown corresponds closely to that of St. Anne’s cloak, lending a harmonic impression to the entire composition. Both the overall design and details of this work, such as the facial features, display direct parallels to another Anna Selbdritt group from South Tyrol (possibly Meran) made in around 1510 - a work closely related to those of the painting and sculpture workshop of Hans Schnatterpeck in Meran and of Matheis Stöberl in Sterzing. Both hands and one arm of the Child missing. Crack in the shoulder of the figure of Saint Anne. Wear to the plint

© Lempertz — view on Lempertz website ↗

A South Tyrolean carved Swiss pine wood high-relief group of Anna Selbdritt, circa 1510.

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Lempertz · May 16, 2015Unsold / did not meet reserve

Flemish early 18th century, An early 18th century Flemish carved wooden figure of an angel., Carved in the round, the reverse only provisorily. Minor remains of former polychromy. A figure of an angel facing left. The sculpture's pained expression and folded arms point to a possible original placement as one of a pair of angels flanking the passion of Christ. With minor wear. The plinth subsequently carved from the original substance

© Lempertz — view on Lempertz website ↗

An early 18th century Flemish carved wooden figure of an angel.

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