Domenico Mondo

Italian · 1723–1806 · Painter, Draughtsman

Domenico Mondo was an Italian painter, active in both a late Baroque and Neoclassical styles. In the royal palace of Caserta, he painted decorations for the Salone degli… (Wikipedia)

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Domenico Mondo was an Italian painter, active in both a late Baroque and Neoclassical styles. In the royal palace of Caserta, he painted decorations for the Salone degli Alabardieri, a job for which he was chosen by Luigi Vanvitelli.

Excerpt from Wikipedia, licensed under CC BY-SA 4.0.

Born 1723, CapodriseDied 1806, NaplesOccupation Painter, DraughtsmanWikidata Q3713147 ↗ULAN 500000118 ↗Museum works 13

Baroque

Also known as Domenico del Mondo

Works in museum collections

Open-access images (public domain, CC0 or CC BY) from museum collections, each shown with its credit line and licence.

Domenico Mondo, The Virgin Immaculate in Glory (recto); Sketch of a Part of a Leg and a Hand (verso) — **The Virgin Immaculate in Glory (recto); Sketch of a Part of a Leg and a Hand (verso)**1723–1806 · Point of brush and dark brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on beige paper (recto); black chalk (verso)
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1964 — Open Access (CC0)

Domenico Mondo, Three Figures (recto); Sketches of Kneeling Figures and Putti (verso) — **Three Figures (recto); Sketches of Kneeling Figures and Putti (verso)**1760–1806 · Pen and brown ink, brush and brown wash, over black chalk on light brown paper (recto). Ruled framing outlines in pen and brown ink on left, top, and right edges. Black chalk, pen and brown ink (verso)
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Cornelius Vanderbilt, 1880 — Open Acc…

Domenico Mondo, Pietà (recto); Sketches of Kneeling Figures, Putto (verso) — **Pietà (recto); Sketches of Kneeling Figures, Putto (verso)**1760–1806 · Pen and brown ink, brush and brown wash over black chalk on light brown laid paper (recto); ruled framing outlines in pen and brown ink. Pen and brown ink, black chalk (verso)
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Cornelius Vanderbilt, 1880 — Open Acc…

Domenico Mondo, Heilige Brigitta, staande met het schip in de rechterhand — **Heilige Brigitta, staande met het schip in de rechterhand**1733 - 1806
Rijksmuseum, Amsterdam ↗
Public domain · Rijksmuseum, Amsterdam — public domain

Domenico Mondo, The Triumph of the Bourbon Family of Naples — **The Triumph of the Bourbon Family of Naples**1787
Department of Paintings of the Louvre ↗
Public domain · via Wikimedia Commons (public domain) — Department of Paintings of the Louvre

Domenico Mondo, The Virgin and Child Enthroned, with Angels and Two Saints — **The Virgin and Child Enthroned, with Angels and Two Saints**1773
Gemäldegalerie Berlin ↗
Public domain · via Wikimedia Commons (public domain) — Gemäldegalerie Berlin

Domenico Mondo, Study for Ceiling: Apollo and other Figures — **Study for Ceiling: Apollo and other Figures**
Yale Center for British Art ↗
CC0 · Domenico Mondo, via Wikimedia Commons (CC0) — Yale Center for British Art

Domenico Mondo, Christ Giving Communion (The Institution of the Eucharist) — **Christ Giving Communion (The Institution of the Eucharist)**n.d. · Pen and brown wash with brush and gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Mondo, Apotheosis of a Hero — **Apotheosis of a Hero**n.d. · Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Mondo, Penitent Magdalene — **Penitent Magdalene**n.d. · Pen and brown ink, with brush and brown wash, and white gouache, over black chalk, on ivory laid paper, tipped onto ivory wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Mondo, David and Abigail — **David and Abigail**n.d. · Pen and brush and black ink, with brush and gray and white gouache and brown wash, over traces of black chalk, on cream laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Mondo, Saint called to Papal Chair — **Saint called to Papal Chair**n.d. · Pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Mondo, Forge of Vulcan — **Forge of Vulcan**n.d. · Brush and black ink, with gray and white gouache, over pink-gray ground on buff laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Artist record compiled from: Wikidata (CC0), Getty ULAN (ODC-By), Art Institute of Chicago API (CC0), The Met Open Access (CC0). See data sources & attribution.

Works in museum collections

Related artists — Italian, born 1698–1748