Domenico Piola

Italian · 1627–1703 · Painter, Printmaker

Domenico Piola was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many… (Wikipedia)

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Landscape with a Shepherd Resting under a TreeLempertz · May 2017€2,728≈ $3,050≈ £2,344Sign up to see

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Domenico Piola was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.

Excerpt from Wikipedia, licensed under CC BY-SA 4.0.

Born 1627, GenoaDied 1703, GenoaOccupation Painter, Printmaker, DraughtsmanWikidata Q1054362 ↗ULAN 500001245 ↗Museum works 24

Also known as D.co Piola, d. piola, Dom.co Piola, Domenico I Piola, Domenico Piola I, Domenico Piola the Elder, Dominique Piola, I Domenico Piola and 2 other name forms

Works in museum collections

Open-access images (public domain, CC0 or CC BY) from museum collections, each shown with its credit line and licence.

Domenico Piola, Putti with the Attributes of the Arts — **Putti with the Attributes of the Arts**1627–1703 · Pen and brown ink, brush and brown wash over some charcoal
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Cornelius Vanderbilt, 1880 — Open Acc…

Domenico Piola, Wooded Landscape with Two Figures — **Wooded Landscape with Two Figures**1627–1703 · Pen and brown ink, brush and brown wash
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1968 — Open Access (CC0)

Domenico Piola, Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea — **Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea**1627–1703 · Pen and brown ink, brush and brown wash, over traces of charcoal
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1964 — Open Access (CC0)

Domenico Piola, Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head — **Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head**1627–1703 · Pen and brown ink, brush and brown wash, over charcoal
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1947 — Open Access…

Domenico Piola, Venus and Cupid in Vulcan's Forge — **Venus and Cupid in Vulcan's Forge**1627–1703 · Pen and brown ink, brush and brown wash, highlighted with white, over charcoal
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Cornelius Vanderbilt, 1880 — Open Acc…

Domenico Piola, Saint Jerome in the Wilderness — **Saint Jerome in the Wilderness**1627–1703 · Brush and brown wash, highlighted with white, over traces of charcoal, on brown paper
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1971 — Open Access (CC0)

Domenico Piola, Madonna Surrounded by Saints — **Madonna Surrounded by Saints**charcoal with brown wash on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Rosenwald Collection — Open Access (CC0)

Domenico Piola, Blessed Maria Vittoria Fornari's Vision of the Trinity — **Blessed Maria Vittoria Fornari's Vision of the Trinity**c. 1670 · pen and brown ink with brown wash over graphite, with additions in black chalk, on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Joseph F. McCrindle Collection — Open Ac…

Domenico Piola, Le vite de pittori, scoltori, et architetti Genovesi — **Le vite de pittori, scoltori, et architetti Genovesi**1674 · bound volume with 1 engraved frontispiece and 21 engraved portraits with woodcut borders on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, William B. O'Neal Fund — Open Access (CC0)

Domenico Piola, A Satyr Entertaining His Family — **A Satyr Entertaining His Family**1690s · pen and brown ink with brown wash over traces of black chalk on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Purchased as the Gift of Joan and David …

Domenico Piola, The Meeting of Jacob and Rachel — **The Meeting of Jacob and Rachel**1670s · brown wash over black chalk on laid paper, in mount
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, New Century Fund — Open Access (CC0)

Domenico Piola, Tobit Burying the Dead — **Tobit Burying the Dead**c. 1650/1660 · pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on old album mount
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Purchased as the Gift of Andrea Woodner …

Domenico Piola, Job and His Children — **Job and His Children**1650
Bilbao Fine Arts Museum ↗
Public domain · via Wikimedia Commons (public domain) — Bilbao Fine Arts Museum

Domenico Piola, Appearance of the Christ Child to Saint Anthony of Padua — **Appearance of the Christ Child to Saint Anthony of Padua**1687
Brooklyn Museum ↗
Public domain · via Wikimedia Commons (public domain) — Brooklyn Museum

Domenico Piola, Untitled — **Untitled**
Wikimedia Commons ↗
Public domain · via Wikimedia Commons (public domain)

Domenico Piola, Christ appears to Juan de la Cruz — **Christ appears to Juan de la Cruz**1675
Wikimedia Commons ↗
CC BY 3.0 · Sailko, via Wikimedia Commons (CC BY 3.0)

Domenico Piola, Massacre of the Innocents — **Massacre of the Innocents**n.d. · Pen and brown ink, brush and brown wash, over black chalk, on ivory laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Piola, Assumption of the Virgin — **Assumption of the Virgin**n.d. · Pen and brown ink, brush and brown wash, over black chalk, on ivory laid paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Domenico Piola, Allegory of Victory — **Allegory of Victory**n.d. · Pen and iron gall ink, with brush and brown wash, over traces of black chalk on cream laid paper, laid down on ivory laid paper with blue fibers
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…

Artist record compiled from: Wikidata (CC0), Getty ULAN (ODC-By), National Gallery of Art open data (CC0), Art Institute of Chicago API (CC0), The Met Open Access (CC0). See data sources & attribution.

Record prices

Works in museum collections

Related artists — Italian, born 1602–1652