James Gillray, The Gout

James Gillray

British · 1756–1815 · Printmaker, Draughtsman

James Gillray was an English caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held… (Wikipedia)

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Record prices

  1. James Gillray, THE APOTHEOSIS OF HOCHE; TITIANUS REDIVIVUS or THE SEVEN WISE MEN CONSULTING THE NEW VENETIAN ORACLE, A SCENE IN YE ACADEMIC GROVE; DISCIPLES CATCHING THE MANTLE - THE SPIRIT OF DARKNESS, OVERSHADOWIN, etchings with hand colouringTHE APOTHEOSIS OF HOCHE; TITIANUS REDIVIVUS or THE SEVEN WISE MEN CONSULTING THE NEW VENETIAN ORACLE, A SCENE IN YE ACADEMIC GROVE; DISCIPLES CATCHING THE MANTLE - THE SPIRIT OF DARKNESS, OVERSHADOWINLawrences Auctioneers · £4,800≈ $5,956≈ €5,448Sign up to see
  2. James Gillray, Spanish-Patriots attacking the French-Banditti; The Church Militant; Meeting of Unfortunate Citoyens, Three etchings with extensive hand-colouring, c. 1800, on woveSpanish-Patriots attacking the French-Banditti; The Church Militant; Meeting of Unfortunate CitoyensBonhams · £1,250≈ $1,734≈ €1,404Sign up to see
  3. James Gillray, Betty Canning revived; God save the King; A Lady putting on her Cap; Enter Cowslip with a bowl of Cream, Four etchings with extensive hand-colouring, c. 1795, on woveBetty Canning revived; God save the King; A Lady putting on her Cap; Enter Cowslip with a bowl of CreamBonhams · £1,250≈ $1,734≈ €1,404Sign up to see

James Gillray’s highest prices recorded at auction, ranked in US dollars at each sale-date exchange rate and shown in the currency of the sale (with the buyer’s premium where the house publishes it).

James Gillray was an English caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.

Excerpt from Wikipedia, licensed under CC BY-SA 4.0.

Born 1756, ChelseaDied 1815, LondonOccupation Printmaker, Draughtsman, IllustratorWikidata Q520806 ↗ULAN 500017355 ↗Museum works 24

Also known as Gillay, Gillray, James Gilray, Thomas Adams, Ts As

Works in museum collections

Open-access images (public domain, CC0 or CC BY) from museum collections, each shown with its credit line and licence.

James Gillray, The Gout
The GoutMay 14, 1799 · Hand-colored soft-ground etching
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Jill Spalding, 2022 — Open Access (CC0)
James Gillray, Cymon and Iphigenia
Cymon and Iphigenia1796 · Watercolor, pen and black ink over graphite
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Purchase, Malcolm Hewitt Wiener Foundation Gi…
James Gillray, Spanish Patriots Attacking the French Banditti – Loyal Britons Lending a Lift
Spanish Patriots Attacking the French Banditti – Loyal Britons Lending a Lift1808 · Pen and gray and brown ink, brush and colored washes
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Harry G. Sperling Fund, 2015 — Open Access (CC0)
James Gillray, A Phantasmagoria; — Scene – Conjuring-Up an Armed-Skeleton
A Phantasmagoria; — Scene – Conjuring-Up an Armed-SkeletonJanuary 5, 1803 · Hand-colored etching
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Philip van Ingen, 1942 — Open Access …
James Gillray, The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens
The Graces in a High Wind – a Scene taken from Nature in Kensington GardensMay 28, 1810 · Hand-colored etching, engraving and aquatint
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Jill Spalding, 2022 — Open Access (CC0)
James Gillray, Germans Eating Sour-Krout
Germans Eating Sour-KroutMay 7, 1803 · Hand-colored etching
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Adele S. Gollin, 1976 — Open Access (…
James Gillray, French Liberty and British Slavery
French Liberty and British Slavery1792 · etching, hand-colored with watercolor by the publisher, on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Ailsa Mellon Bruce Fund — Open Access (CC0)
James Gillray, The Union Club
The Union Club1801 · etching and engraving, hand-colored with watercolor by the publisher
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Ailsa Mellon Bruce Fund — Open Access (CC0)
James Gillray, A New Way to Pay the National-Debt
A New Way to Pay the National-Debt1786 · etching and engraving on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Ailsa Mellon Bruce Fund — Open Access (CC0)
James Gillray, Modern Grace
Modern Grace1796 · etching and engraving with publisher's hand coloring on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Ailsa Mellon Bruce Fund — Open Access (CC0)
James Gillray, Titianus Redivivus
Titianus Redivivus1797 · etching, engraving, and aquatint with publisher's hand-coloring, on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Ailsa Mellon Bruce Fund — Open Access (CC0)
James Gillray, Midas, Transmuting All into Paper
Midas, Transmuting All into Paper1797 · etching with publisher's hand-coloring in watercolor on laid paper
National Gallery of Art, Washington ↗
CC0 · National Gallery of Art, Washington, Purchased as an Anonymous Gift — Open Ac…
James Gillray, A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street1787
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, The Tottering Pyramid
The Tottering Pyramid1784
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, The Fall of Dagon - or Rare News for Leaden-Hall Street
The Fall of Dagon - or Rare News for Leaden-Hall Street1784
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover1784
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, The Pitt Fall
The Pitt Fall1785
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, The English Regency
The English Regency1789
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, A Section of a Magnificent & Superb Water Closet ---
A Section of a Magnificent & Superb Water Closet ---1790
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, Plan of Mud Island, off the Kingdom of Corsica
Plan of Mud Island, off the Kingdom of Corsica1790
Yale Center for British Art ↗
CC0 · James Gillray, via Wikimedia Commons (CC0) — Yale Center for British Art
James Gillray, Britannia Between Scylla and Charybdis
Britannia Between Scylla and Charybdispublished April 8, 1793 · Etching in dark brown, with handcoloring, on cream wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Gift of Thomas F. Furness in memory of William McCa…
James Gillray, The Fashionable Mamma, or, The Convenience of Modern Dress
The Fashionable Mamma, or, The Convenience of Modern Dresspublished February 15, 1796 · Hand-colored etching on ivory wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Gift of Thomas F. Furness in memory of William McCa…
James Gillray, The Zenith of French Glory; The Pinnacle of Liberty
The Zenith of French Glory; The Pinnacle of Libertypublished February 12, 1793 · Etching in dark brown, with handcoloring, on cream wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Gift of Robert Sonnenschein, II — public domain (CC0)
James Gillray, "Oh! that this too too solid flesh would melt."
"Oh! that this too too solid flesh would melt."published March 20, 1791 · Etching in dark brown, with stipling and handcoloring, on cream wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Gift of Thomas F. Furness in memory of William McCa…

Artist record compiled from: Wikidata (CC0), Getty ULAN (ODC-By), National Gallery of Art open data (CC0), Art Institute of Chicago API (CC0), The Met Open Access (CC0). See data sources & attribution.

Related artists — British, born 1731–1781

More British artists of the same period