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Stefano Pozzi, Antiochus Yearning for Stratonice

Stefano Pozzi

Italian · 1699–1768 · Painter, Printmaker

Stefano Pozzi was an Italian painter, designer, draughtsman, and decorator whose career was spent largely in Rome. (Wikipedia)

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Record prices

  1. Stefano Pozzi, Porträt eines vom Ruhm in den Triumph getragenen Herrn, Schwarzer Stift, weiß gehöht auf PapierPorträt eines vom Ruhm in den Triumph getragenen HerrnVan Ham · €1,716≈ $1,861≈ £1,470Sign up to see

Stefano Pozzi’s highest prices recorded at auction, ranked in US dollars at each sale-date exchange rate and shown in the currency of the sale (with the buyer’s premium where the house publishes it).

Lot images as published by each auction house (1 lots with an image). Images from houses that reserve their photographs are shown as small thumbnails linking to the house’s site.

Stefano Pozzi, Porträt eines vom Ruhm in den Triumph getragenen Herrn, Schwarzer Stift, weiß gehöht auf Papier
Porträt eines vom Ruhm in den Triumph getragenen Herrn
Van Ham · May 17, 2024
€1,716Sign up free to see

Works in museum collections

Open-access images (public domain, CC0 or CC BY) from museum collections, each shown with its credit line and licence.

Stefano Pozzi, The Contest of Elijah and the Prophets of Baal on Mount Carmel (I Kings 18: 20-46)
The Contest of Elijah and the Prophets of Baal on Mount Carmel (I Kings 18: 20-46)1720–68 · Black chalk, highlighted with white chalk, on blue paper faded to brown
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Gift of Cephas G. Thompson, 1887 — Open Acces…
Stefano Pozzi, Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)
Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)1699–1768 · Black chalk, highlighted with white chalk, on blue paper
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1965 — Open Access (CC0)
Stefano Pozzi, Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)
Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)1699–1768 · Black chalk, highlighted with white chalk, on blue-green paper
The Metropolitan Museum of Art ↗
CC0 · The Metropolitan Museum of Art, Rogers Fund, 1965 — Open Access (CC0)
Stefano Pozzi, The Abduction of Deianira
The Abduction of Deianira1750
Walters Art Museum ↗
Public domain · via Wikimedia Commons (public domain) — Walters Art Museum
Stefano Pozzi, The Circumcision
The Circumcision1762
Art Institute of Chicago ↗
Public domain · via Wikimedia Commons (public domain) — Art Institute of Chicago
Stefano Pozzi, The Presentation in the Temple
The Presentation in the Temple1737
Art Institute of Chicago ↗
Public domain · via Wikimedia Commons (public domain) — Art Institute of Chicago
Stefano Pozzi, Antiochus Yearning for Stratonice
Antiochus Yearning for Stratonice1740
Art Institute of Chicago ↗
Public domain · via Wikimedia Commons (public domain) — Art Institute of Chicago
Stefano Pozzi, Saint John the Evangelist (after Carlo Maratta)
Saint John the Evangelist (after Carlo Maratta)
Thirlestane Castle ↗
Public domain · via Wikimedia Commons (public domain) — Thirlestane Castle
Stefano Pozzi, Antiochus Yearning for Stratonice
Antiochus Yearning for Stratonicec. 1740 · Oil on canvas
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Old Masters Society Purchase Fund — public domain (…
Stefano Pozzi, The Presentation in the Temple
The Presentation in the TempleDate unknown · Oil on canvas
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Louise B. and Frank H. Woods Purchase Fund Income —…
Stefano Pozzi, The Circumcision
The Circumcisionc. 1762 · Oil on canvas
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection — pu…
Stefano Pozzi, Angel Holding Flowers and Scourge
Angel Holding Flowers and Scourgec. 1756 · Black chalk, heightened with white chalk, on blue laid paper, tipped onto cream wove paper
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection — publi…
Stefano Pozzi, Boreas and Orithyia
Boreas and Orithyian.d. · Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card
Art Institute of Chicago ↗
CC0 · Art Institute of Chicago, The Charles Deering Collection — public domain (CC0)

Related artists — Italian, born 1674–1724